Beatnik works behind the scenes as an extension of your agency — handling production while you maintain the client relationship.
Client deadlines don't wait for your team to catch up. Beatnik works behind the scenes as an extension of your agency — handling production while you maintain the client relationship. Your client sees your agency's name. We stay in the background.
White-label production means Beatnik works under your agency's name. You send the brief, we produce to your brand and client guidelines, and the final files go to your client without any Beatnik branding. The client relationship, the pricing and the credit stay with you.
It works like adding a production team without hiring one: video editors, motion designers, 3D artists and designers, without the cost of recruiting, onboarding and managing them.
Typical situations: a campaign launch that needs dozens of ad variations, a client who suddenly asks for a 3D product film, a pitch that needs a polished motion reel, or steady monthly short-form volume your in-house team cannot absorb.
Our teams work across North America and Asia, so the time difference can let production continue while your own team is offline.
It is production work done by a partner studio and delivered under your agency's name. Your client sees your agency; Beatnik stays in the background.
No. Files are delivered without Beatnik branding unless you ask for credit.
Send the brief: the deliverable, the deadline and any brand guidelines. We scope it, confirm turnaround and cost, and then start production.
Each project is scoped from the brief (format, length, complexity and revisions). You see the cost and turnaround before anything starts.
Yes. Agencies can use Beatnik for one-off overflow or for recurring volume such as short-form edits and ad variations.
We have teams in North America and Asia, so work can be aligned to US and Canadian business hours and review windows.
Tell us about the brief and we'll scope it within one business day.
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